Distressed Gerey 2 is a bold, normal width, medium contrast, italic, short x-height font.
Keywords: posters, headlines, packaging, book covers, album art, vintage, gritty, handmade, quirky, dramatic, evoke printwear, add character, antique mood, hand-ink feel, roughened, inked, weathered, textured, irregular.
A slanted, heavy serif design with a rough, print-worn texture throughout the strokes and counters. Letterforms show uneven edges, blotchy ink traps, and irregular stroke endings that create a lively, distressed rhythm. Proportions feel somewhat narrow and tall in the caps, with compact lowercase and small-looking counters that read like inked type pressed on absorbent paper. Numerals and punctuation echo the same battered outlines, producing a cohesive, intentionally imperfect color on the page.
Well-suited for display settings where a weathered, analog impression is desirable—posters, headlines, editorial features, book covers, and packaging labels. It can add instant period character to branding touchpoints like badges, signage, or pull quotes, especially when paired with cleaner supporting text. The strong silhouette and texture make it most effective at medium to large sizes.
The font conveys a rugged, old-world energy—part antique letterpress, part hand-inked poster. Its irregular texture and punchy serifs add a theatrical, slightly mischievous tone that feels expressive rather than refined. Overall it suggests age, grit, and character, with a playful edge in the shapes.
The design appears intended to emulate imperfect, ink-rich printing and worn metal type, combining a classic serif foundation with deliberate erosion and edge noise. Its goal is to deliver immediate atmosphere and authenticity, prioritizing character and tactile texture over pristine uniformity.
Texture is a primary feature: the interior speckling and edge chatter remain visible even in larger sample text, giving headlines a tactile, printed feel. Spacing and widths vary across letters, contributing to an organic, handmade cadence. At smaller sizes the distressed details may consolidate into darker spots, so it tends to present best when given room to breathe.