Sans Superellipse Pidag 15 is a very bold, very narrow, monoline, upright, normal x-height font visually similar to 'Iwan Reschniev' by FDI, 'Fresno' by Parkinson, 'Gravitas' by Studio K, and 'Goodland' by Swell Type (names referenced only for comparison).
Keywords: posters, headlines, branding, packaging, signage, industrial, retro, techno, authoritative, graphic, space-saving, display impact, geometric system, modern utility, condensed, rounded corners, squared bowls, tall ascenders, blocky.
A condensed, high-impact sans with tall proportions and a largely uniform stroke. Letterforms are built from straight verticals and horizontals with generously rounded corners, giving many shapes a squared, superelliptical feel rather than true circles. Counters are compact and often rectangular, and joins stay crisp and mechanical. Overall spacing and rhythm emphasize verticality, with simplified terminals and minimal modulation for a clean, poster-ready silhouette.
Best suited to display settings such as posters, headlines, logos, packaging, and wayfinding where a compact width and strong presence are assets. It performs especially well in short phrases, badges, and stacked titles where the vertical rhythm and squared curves create a striking, uniform texture.
The font conveys a strong, utilitarian tone with a hint of retro-futurism. Its narrow, tower-like forms feel efficient and engineered, lending an industrial, techno-forward voice that reads as bold and declarative. The rounded corners soften the severity just enough to keep it approachable while remaining assertive.
The design appears intended to deliver maximum impact in tight horizontal space while maintaining a cohesive, geometric voice. Its rounded-rectangle construction and simplified details suggest an aim toward modern industrial branding and retro-tech display typography that stays clear at large sizes.
Several glyphs use open, squared constructions (notably in C, G, and S) and rely on interior notches and short crossbars to distinguish similar shapes. Numerals follow the same condensed, rounded-rectangle logic, creating a consistent, signage-like texture across mixed alphanumerics.