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Free for Commercial Use

Sans Faceted Lase 2 is a bold, narrow, low contrast, upright, normal x-height font visually similar to 'Kuunari' and 'Kuunari Rounded' by Melvastype, 'RBNo2.1' by René Bieder, and 'Probeta' by deFharo (names referenced only for comparison).

Keywords: headlines, posters, logos, packaging, sports branding, industrial, athletic, retro, technical, assertive, impact, compactness, geometric edge, signage feel, brandability, octagonal, beveled, stencil-like, angular, condensed.


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A condensed, heavy sans built from planar, faceted strokes where curves are replaced by clipped corners and straight segments. Terminals are consistently chamfered, producing an octagonal silhouette across rounds like C, O, and G, while verticals remain dominant and crisp. Counters are relatively tight and rectangularized, and the overall rhythm is compact with clear, even stroke density. Numerals follow the same clipped geometry, with squared bowls and corner-cut apertures that keep the set visually cohesive in display sizes.

Well suited to short, high-impact text such as headlines, posters, wordmarks, and packaging where the angular silhouette can carry the design. It also fits wayfinding-style labels, team or event branding, and bold UI accents when used sparingly and with sufficient spacing for clarity.

The faceted construction and strong, compact proportions create an industrial, no-nonsense tone with a hint of athletic signage. Its hard corners and uniform heft feel engineered and utilitarian, suggesting durability and control rather than softness or elegance.

The design appears intended to translate a geometric, cut-corner aesthetic into a compact, high-contrast-in-form (but not in stroke) display voice. By standardizing chamfered terminals and faceted curves, it aims to deliver a distinctive, engineered look that remains consistent across uppercase, lowercase, and figures.

At larger sizes the repeated chamfers read as a deliberate design motif, giving the face a machined, clearly articulated texture. In longer lines, the tight apertures and condensed fit increase visual density, making it most effective when used with generous tracking or ample line spacing.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
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10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸