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Free for Commercial Use

Sans Faceted Ofby 1 is a bold, narrow, monoline, upright, normal x-height font visually similar to 'Marca' by ArimaType (names referenced only for comparison).

Keywords: headlines, posters, logotypes, sports branding, packaging, industrial, retro, assertive, technical, sporty, impact, space saving, industrial tone, geometric consistency, display focus, angular, faceted, octagonal, squared, blocky.


Free for commercial use
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This typeface uses a strongly geometric, faceted construction that replaces curves with clipped corners and short diagonal segments, creating an octagonal, machined look throughout. Strokes are consistently heavy and even, with crisp right angles and frequent chamfers on terminals, shoulders, and bowls. Counters tend to be compact and rectilinear, and the overall spacing and proportions favor tight, condensed letterforms with a steady rhythm in text. Uppercase and numerals read as sturdy blocks, while lowercase maintains the same cut-corner logic with simplified joins and minimal contrast.

It performs best as a display face for headlines, posters, badges, and branding where strong silhouettes and a mechanical texture are desirable. The condensed build makes it useful for space-constrained applications such as labels, product marks, team graphics, or short UI headings that need impact.

The overall tone is hard-edged and utilitarian, projecting a no-nonsense, engineered character. Its faceted geometry suggests durability and precision, while the condensed stance adds urgency and punch. The result feels at home in settings that want a rugged, performance-oriented voice rather than a soft or friendly one.

The design appears intended to deliver maximum visual strength through uniform heavy strokes and a consistent faceted system, turning the entire alphabet into a cohesive set of angular modules. By standardizing corners and minimizing curvature, it aims for a rugged, industrial presence that stays legible while looking purpose-built.

The chamfering is applied consistently across straight and curved archetypes, giving even traditionally round forms a disciplined, polygonal silhouette. At larger sizes the cut corners become a defining texture; at smaller sizes the tight counters and condensed forms may make similar shapes feel closer together, so generous line spacing can help in longer passages.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸