Hollow Other Abte 1 is a very bold, normal width, very high contrast, upright, normal x-height font visually similar to 'Funlikey' by Abbasy Studio, 'Fraiche' by Adam Fathony, 'Loyola Pro' by RodrigoTypo, and 'Bulltoad' by Typodermic (names referenced only for comparison).
Keywords: headlines, logos, packaging, posters, kids media, playful, cartoon, bubbly, friendly, retro, novelty, impact, whimsy, character, branding, rounded, chunky, soft, puffy, cutout.
A chunky, rounded display face with inflated, blobby silhouettes and soft corners throughout. Strokes are heavy and smooth, with variable, slightly irregular shaping that gives each glyph a hand-formed feel rather than strict geometric precision. Many letters feature distinctive internal knockouts and small cut-in highlights, creating a hollowed, stamped look that adds texture and contrast inside the solid forms. Counters tend to be tight and simplified, terminals are bulbous, and curves dominate the construction, producing a dense, high-impact rhythm in both uppercase and lowercase.
Best suited for headlines and short phrases where its heavy mass and interior cutouts can be appreciated—such as logos, posters, product packaging, and playful branding. It also fits children’s media, party/event graphics, and any design needing a friendly, novelty display voice; it will feel crowded in long passages at smaller sizes due to tight counters and dense texture.
The overall tone is playful and comedic, evoking cartoon titles, toy packaging, and lighthearted branding. The hollow cutouts read like glossy highlights or punched-in details, giving the letters a bouncy, confectionary personality with a retro novelty sensibility.
The design appears intended to deliver maximum visual impact with a soft, approachable character, using rounded construction and hollowed details to create a distinctive, toy-like silhouette. The irregular highlight-style cutouts suggest an aim for a handcrafted, animated look that reads quickly and feels energetic.
Uppercase forms feel poster-oriented and compact, while lowercase maintains the same puffy language with simplified bowls and short extenders, keeping color dense in text. The internal cutouts are not uniform from glyph to glyph, which reinforces an organic, whimsical texture and helps the face stand out at larger sizes.