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Free for Commercial Use

Sans Normal Agran 1 is a regular weight, normal width, monoline, upright, normal x-height, monospaced font visually similar to 'Mono Spec' by Halbfett, 'Realtime' and 'Realtime Rounded' by Juri Zaech, and 'OCRK' by Test Pilot Collective (names referenced only for comparison).

Keywords: ui text, code samples, terminal mockups, tables, data display, technical, utilitarian, neutral, retro computing, no-nonsense, clarity, precision, consistency, utilitarian tone, geometric, square terminals, rounded corners, high legibility, compact rhythm.


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This typeface uses straightforward, geometric construction with even stroke thickness and a crisp, rectangular footprint. Curves are clean and controlled, with subtly rounded corners that soften the overall texture without losing a precise, engineered feel. Terminals are predominantly flat and squared off, and the counters stay open and stable, helping letters remain distinct at small sizes. Proportions are compact and consistent across the set, producing an orderly, grid-like rhythm in lines of text and numerals.

It performs well anywhere alignment and predictable character widths matter, such as interface labels, code and configuration snippets, tabular data, and technical documentation. The sturdy, simple shapes also suit signage-like applications, captions, and diagrams where quick recognition is more important than typographic nuance.

The overall tone is practical and measured, evoking labeling, instrumentation, and classic screen or printout aesthetics. Its restrained shapes and disciplined spacing give it a technical, system-oriented character rather than a decorative one. The result feels dependable and clear, with a faint retro-computing flavor.

The design appears intended to provide a clear, consistent voice for practical text settings where structure and regularity are priorities. By emphasizing simple geometry, flat terminals, and highly consistent proportions, it aims to stay unobtrusive while remaining easily readable in dense or information-heavy layouts.

Uppercase forms read bold and blocky with minimal modulation, while lowercase maintains the same pragmatic geometry, keeping joins and bowls tight and controlled. Numerals follow the same straight-and-round logic, prioritizing clarity and uniformity over expressiveness.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸