Sans Other Peny 11 is a bold, very wide, low contrast, italic, normal x-height font.
Keywords: sports branding, racing graphics, gaming titles, tech posters, headlines, futuristic, sporty, technical, dynamic, aggressive, speed cue, sci-fi tone, display impact, tech branding, athletic energy, extended, oblique, angular, streamlined, squared.
A sharply slanted, extended sans with a streamlined, angular construction. Strokes keep a consistent thickness and terminate in clean, chiseled angles rather than rounded ends, producing a faceted, aerodynamic silhouette. Many forms are squared or trapezoidal in their counters (notably the rounded letters and numerals), and horizontals often read as slightly sheared, reinforcing speed. The rhythm is tight and forward-leaning, with compact apertures and distinctive cuts that give letters a mechanical, engineered feel while remaining legible in display settings.
Well-suited for headlines, logos, and short bursts of text where a fast, engineered look is desired—such as sports branding, racing-themed graphics, esports/gaming titles, tech event posters, and interface-style callouts. It can also work for packaging or product marks that benefit from a sleek, performance aesthetic, especially at medium to large sizes.
The overall tone is fast, high-tech, and performance-oriented, evoking motorsport graphics, sci‑fi interfaces, and contemporary gaming aesthetics. Its hard angles and oblique stance communicate motion and intensity more than neutrality or warmth.
The design appears intended to deliver a contemporary, speed-inflected display voice by combining extended proportions, a strong oblique stance, and angular, cut-in terminals. The consistent stroke weight and squared counters suggest an aim for a clean, technical texture that remains readable while feeling stylized and motion-driven.
Capital shapes emphasize stylized geometry—several letters adopt open, cutaway forms that favor visual impact over textbook proportions. Numerals follow the same squared, slanted logic with segmented-looking joins and sharp corners, keeping the set visually cohesive. The design reads best where the forward slant and extended width can be part of the composition rather than competing with dense copy.