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Sans Faceted Ukza 8 is a bold, wide, low contrast, italic, normal x-height font visually similar to 'Black Square' by Agny Hasya Studio, 'Nicomedia' by Artegra, 'Meguro Sans' by GT&CANARY, 'Midsole' by Grype, 'Refinery' by Kimmy Design, 'Olney' by Philatype, 'Hype vol 2' by Positype, 'Cobe' by Stawix, and 'Sweet Square' by Sweet (names referenced only for comparison).

Keywords: headlines, branding, posters, sports, gaming ui, futuristic, tech, sporty, aggressive, industrial, speed emphasis, tech styling, impact display, mechanical tone, angular, faceted, chamfered, geometric, compact.


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A heavy, forward-leaning sans with faceted construction and chamfered corners that replace most curves with short planar cuts. Strokes are largely uniform, producing a dense, high-impact texture, while counters tend toward squarish or octagonal shapes. Terminals often end in angled cuts, and several forms show engineered notches and straightened bowls that emphasize a mechanical rhythm. Proportions read broad and stable in caps, with a utilitarian, slightly compressed interior spacing that keeps words visually tight and blocky in text.

Best suited for display typography where impact and personality matter most: posters, esports and sports branding, product marks, packaging callouts, and tech or gaming UI headings. It can also work for short labels and identifiers where a mechanical, high-energy feel is desired, but its strong slant and tight, faceted forms make it less ideal for long-form reading.

The overall tone is fast and hard-edged, evoking motorsport, sci‑fi interfaces, and industrial labeling. Its angular facets and strong slant suggest motion and urgency, giving headlines an assertive, competitive character.

The design appears intended to translate a geometric sans into a high-impact, motion-oriented style by combining a strong italic stance with machined facets and squared counters. The consistent chamfering and uniform stroke weight suggest an aim for crisp reproduction in bold display contexts while maintaining a coherent, engineered aesthetic.

Diagonal joins and chamfered corners create a consistent “milled” look across letters and numerals, helping maintain clarity at display sizes while reinforcing a distinctive, technical silhouette. The italic angle is prominent, so line setting gains a sense of speed but also a pronounced directional pull.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸