Sans Faceted Anze 2 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Brignell Square' by IB TYPE Inc., 'PF Das Grotesk Pro' by Parachute, 'Belle Sans' by Park Street Studio, 'Plantago' by Schriftlabor, 'NuOrder' by The Northern Block, and 'News Gothic' by URW Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, logos, sports branding, packaging, bold, athletic, industrial, playful, retro, maximum impact, geometric styling, rugged display, brand stamp, angular, chamfered, blocky, faceted, compressed curves.
A heavy, all-caps-forward display sans built from faceted, chamfered forms. Curves are consistently replaced by planar cuts, producing polygonal counters and clipped terminals across rounds like C, O, and S. Strokes are broad with tight apertures and sturdy joins, while corners vary between hard angles and short bevels that create a carved, geometric rhythm. Lowercase echoes the same angular construction with compact bowls and simplified forms, and figures are robust with similarly cut-in corners for a cohesive, poster-friendly texture.
Best suited to headlines, posters, and branding where a bold, angular voice is needed. It can work well for sports identities, event graphics, packaging callouts, and title treatments that benefit from strong silhouettes and a compact, hard-edged texture.
The faceted geometry and dense black shapes give the face a punchy, high-energy tone that reads as sporty and industrial at once. Its angular “carved” character suggests strength and motion, with a slightly playful, game-like edge that keeps it from feeling purely utilitarian.
The font appears designed to translate a sans structure into a chiseled, polygonal aesthetic, prioritizing impact and distinctive shapes over neutrality. Its consistent beveling and faceted curves point to an intention of creating a rugged, energetic display style that remains systematic across letters and numerals.
The design’s clipped diagonals create strong internal shapes and a distinctive silhouette, especially in round letters and numerals where the polygonal counters become a key identifier. Because the forms are so weighty and tightly opened, it favors larger sizes where the facets and counters remain clearly articulated.