Sans Superellipse Afgif 2 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Nicomedia' by Artegra (names referenced only for comparison).
Keywords: ui text, product design, signage, branding, infographics, clean, modern, technical, friendly, minimal, modernization, clarity, systematic, approachability, ui readiness, rounded corners, monoline, open apertures, squared curves, geometric.
A monoline sans with a superelliptical construction: curves resolve into rounded-rectangle shapes rather than true circles, and terminals are consistently softened with generous corner radii. Strokes stay even throughout, with smooth joins and a calm, steady rhythm. Counters tend to be squarish and open, giving letters like C, G, O, and Q a compact, engineered feel. The lowercase shows simple, modern forms with single-storey a and g, a short-shouldered r, and a wide, symmetrical m; numerals follow the same rounded-rect logic with a particularly boxy, streamlined 2 and 3.
Well-suited to interface typography and product-focused branding where a clean, contemporary voice is needed. The superelliptical forms and steady spacing also fit wayfinding, dashboards, and infographic labels, where quick recognition and a tidy, structured look are important.
The overall tone is contemporary and approachable, combining a precise, tech-forward geometry with softened edges that keep it from feeling harsh. Its rounded-square vocabulary reads as efficient and digital, while the open shapes and even color make it feel friendly and easygoing.
The design appears intended to merge geometric clarity with softened, superelliptical rounding for a modern, system-like aesthetic. It aims for a consistent, modular feel across the set, emphasizing uniform stroke behavior and rounded-square counters that read well in both display lines and continuous text.
In text, the font maintains an even typographic color and clear character separation, helped by distinct figure shapes and consistent corner treatment across uppercase, lowercase, and numerals. The squared-off curves create a recognizable texture in longer passages without relying on contrast or decorative details.