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Serif Normal Bobun 3 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Milgraph' by Abbasy Studio, 'Acreva' by Andfonts, 'FF Marselis Serif' by FontFont, 'ITC Pacella' by ITC, 'Asikue' by Kereatype, 'Mediator Serif' by ParaType, and 'Antica' by Sudtipos (names referenced only for comparison).

Keywords: headlines, posters, book covers, branding, packaging, authoritative, traditional, warm, editorial, robust, heritage tone, display impact, editorial clarity, approachable boldness, bracketed, rounded, softened, ball terminals, ink-trap feel.


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A heavy, oldstyle-leaning serif with sturdy verticals, rounded joins, and clearly bracketed serifs that flare smoothly into the stems. Counters are compact and the overall color is dense, with a subtly softened, slightly “inked” edge impression created by rounded corners and tapered terminals. The lowercase shows pronounced, bulb-like terminals and a strong rhythmic modulation between thick stems and narrower internal apertures, while capitals remain broad and stable with classic proportions. Numerals are weighty and high-impact, matching the letterforms’ rounded detailing and solid footprint.

This design is well-suited to headlines, covers, and short-form editorial settings where a strong, classic voice is needed. It can also work effectively in branding and packaging that aims for a heritage or craft-forward look, especially when set with comfortable tracking and ample line spacing.

The font reads as confident and traditional, with a friendly softness that keeps the boldness from feeling harsh. Its vintage editorial tone suggests reliability and craftsmanship, evoking classic printing and headline typography while maintaining an approachable warmth.

The likely intention is to deliver a highly legible, traditional serif with a distinctly robust presence, optimized for attention-grabbing typography while retaining familiar bookish forms. The rounded terminals and bracketed serifs appear designed to add warmth and a slightly vintage print flavor to an otherwise conventional text-serif structure.

Stroke endings frequently resolve into rounded, ball-like terminals (notably in the lowercase), which adds character and helps differentiate shapes at display sizes. Spacing appears generous enough for large text, but the dense interior counters and strong weight make it feel most natural when given room to breathe.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸