Sans Superellipse Jusu 2 is a very bold, normal width, high contrast, upright, tall x-height font.
Keywords: headlines, posters, sports branding, packaging, signage, industrial, authoritative, sporty, retro, tough, maximum impact, geometric unity, signage clarity, retro modernity, branding strength, blocky, compact, rounded corners, squared curves, ink-trap like.
A heavy, block-forward sans with rounded-rectangle construction throughout: curves resolve into squared bowls and softened corners rather than true circles. Strokes are thick and consistent, with narrow internal counters and occasional notch-like cut-ins at joins that read like ink-trap inspired shaping. The overall silhouette is tall and compact, with a large x-height, short ascenders/descenders, and minimal stroke modulation. Terminals are blunt and squared off, giving letters a sturdy, stamp-like presence and a tight, rhythmic texture in text.
Best suited to short, high-impact settings such as headlines, posters, branding marks, sports graphics, and bold packaging callouts. It also works well for display-size signage where its squared curves and compact forms read clearly at a distance; for smaller sizes, generous tracking and leading help offset the tight counters.
The tone is forceful and no-nonsense, combining a utilitarian, industrial feel with a hint of vintage athletic signage. Its chunky geometry and tightened counters create a confident, impact-first voice that reads as tough, functional, and slightly retro.
The design appears intended to deliver maximum visual punch using a disciplined superelliptical geometry, balancing softened corners with hard, rectangular structure. The result prioritizes strong silhouettes and fast recognition in display contexts while maintaining a consistent, system-like feel across the character set.
The rounded-rectangle logic stays consistent across caps, lowercase, and numerals, producing a cohesive, modular look. In longer lines the density builds quickly, so spacing and line height become important to preserve clarity, especially around narrow apertures and enclosed shapes.