Sans Superellipse Jase 11 is a very bold, normal width, medium contrast, upright, normal x-height font.
Keywords: headlines, posters, logotypes, packaging, signage, industrial, techno, athletic, retro, authoritative, display impact, geometric solidity, industrial tone, brand presence, blocky, squared, rounded corners, compact, stencil-like counters.
A heavy, block-driven sans built from rounded-rectangle forms with softened corners and large, confident vertical strokes. The curves are squared-off and superelliptical rather than circular, creating a compact, mechanical silhouette across both cases. Counters and apertures are tight and often expressed as narrow vertical slots, giving the alphabet a punchy, cut-out look. Terminals are mostly flat and orthogonal, with occasional chamfered or notched joins that keep letterforms crisp at display sizes.
Best suited to display settings where impact and clarity matter: headlines, posters, product packaging, and bold editorial callouts. It also works well for logotypes and branding that aims for a technical, athletic, or industrial feel, and for signage-style applications where sturdy shapes and compact spacing help maintain presence.
The tone feels industrial and techno-forward, with a sporty headline energy. Its dense shapes and squared rhythm suggest machinery, equipment labeling, and bold signage, while the rounded corners keep it from feeling harsh. Overall it reads assertive, modern, and slightly retro in a way that evokes arcade, motorsport, or utilitarian design.
The font appears designed to deliver maximum visual weight with a controlled, geometric construction—prioritizing bold legibility and a distinctive squared-rounded personality. Its slot-like counters and flat terminals suggest an intentional, engineered aesthetic meant to stand out in branding and large-format typography.
The design favors strong vertical emphasis and consistent stroke mass, producing an even, poster-ready color in text. The lowercase echoes the uppercase’s geometry, maintaining a uniform, engineered voice rather than a highly calligraphic or humanist one. Numerals follow the same squared-rounded construction for a cohesive, system-like set.