Sans Superellipse Osdid 6 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'Newhouse DT' by DTP Types, 'Bebas Neue Pro' by Dharma Type, and 'Lektorat' by TypeTogether (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, assertive, industrial, compact, sporty, poster-like, space-saving, strong emphasis, modern utility, graphic clarity, blocky, condensed, monoline, high-impact, rounded corners.
A heavy, compact sans with monoline construction and broadly rounded, superellipse-like curves. Counters are tight and apertures are relatively closed, producing a dense, high-ink texture. Terminals are predominantly flat with subtly softened corners, while bowls and arcs stay squarish rather than fully circular. The lowercase maintains a tall, sturdy profile with minimal modulation and a uniform rhythm; numerals match the same blocky, condensed proportions for a consistent color across mixed text.
Best suited to headlines, posters, short statements, and branding where maximum impact is needed in limited horizontal space. It can work well on packaging, labels, and signage that benefits from a dense, sturdy texture and consistent strokes. In longer passages it will appear intense and can feel crowded, so it’s strongest in display and short-form applications.
The overall tone is forceful and pragmatic, with a no-nonsense, workmanlike voice. Its condensed, tightly packed shapes feel energetic and efficient, leaning toward contemporary sports and industrial branding rather than delicate or literary settings.
The design appears intended to deliver bold, space-efficient emphasis with a modern, squared-round geometry. It prioritizes punchy legibility and a strong graphic silhouette, aiming for a compact, contemporary voice that holds up in large sizes and high-contrast layouts.
Round characters like C, G, O, and S appear built from rounded rectangles, giving curves a slightly squared-off feel. The uppercase set reads especially rigid and architectural, while the lowercase remains simple and utilitarian, supporting strong emphasis without ornamental personality.