Sans Superellipse Osgul 14 is a bold, normal width, low contrast, upright, tall x-height font visually similar to 'FF Clan' by FontFont, 'JAF Bernini Sans' by Just Another Foundry, 'Robusta' by Tilde, and 'Quan Geometric' by Typesketchbook (names referenced only for comparison).
Keywords: headlines, posters, branding, signage, packaging, confident, modern, friendly, punchy, utilitarian, impact, clarity, modernity, softened geometry, brand voice, squared-round, compact, blocky, high-clarity, robust.
A heavy, geometric sans with rounded-rectangle (superellipse) construction and consistent, low-contrast stroke weight. Curves read as broadly rounded with flattened sides, giving counters a squarish softness rather than perfect circles. Terminals are clean and mostly blunt, with minimal modulation and a sturdy, compact rhythm across the alphabet. Lowercase forms are large and open, with simple, single-storey shapes (notably a and g) and short, practical joins that keep word shapes dense and legible. Numerals are equally bold and monoline, matching the letterforms with smooth, squared-round bowls and straightforward diagonals.
This font performs best in display roles where bold, clean shapes need to read instantly—headlines, posters, signage, and brand marks. Its dense texture and simple geometry also make it effective for short UI labels, packaging callouts, and other high-contrast, attention-forward text.
The tone is direct and contemporary, projecting strength without feeling aggressive due to the softened corners. It feels pragmatic and industrial-leaning, yet approachable—well suited to brands that want clarity, impact, and a friendly geometric voice.
The likely intent is a modern geometric workhorse that maximizes impact and legibility through robust strokes and superellipse-based curves. It aims to deliver a contemporary, friendly industrial aesthetic that stays clear at a glance and remains visually consistent across letters and numbers.
The design emphasizes even texture and strong silhouettes, holding together well in both all-caps and mixed-case settings. Rounded corners and superelliptical bowls soften the mass of the strokes, while the generally compact sidebearings keep lines visually tight and emphatic.