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Sans Normal Uhkal 2 is a regular weight, wide, medium contrast, upright, normal x-height font visually similar to 'Artegra Sans' by Artegra; 'Moveo Sans' by Green Type; 'Express 18' by Kosinsky; 'Interval Next' by Mostardesign; 'Belle Sans' by Park Street Studio; and 'Loew', 'Nauman', and 'Nauman Neue' by The Northern Block (names referenced only for comparison).

Keywords: ui text, branding, editorial, headlines, signage, clean, modern, friendly, neutral, straightforward, versatility, clarity, contemporary neutrality, accessibility, system consistency, geometric, rounded, open apertures, low stroke contrast, solid terminals.


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This typeface is a clean sans with broadly geometric construction and gently rounded curves. Strokes are largely monolinear, with subtle modulation in curved joins that keeps shapes from feeling rigid. Counters are open and generous, and terminals tend to be straight or softly squared rather than sharply tapered. Uppercase forms read steady and architectural, while the lowercase keeps a simple, contemporary skeleton with single-storey shapes where expected and clear, uncluttered joins.

It suits interface typography and product UI where clarity and even rhythm are important, and it also performs well for brand systems that need a modern, unassuming voice. The steady uppercase makes it effective for headlines and signage, while the open lowercase shapes support comfortable reading in short-to-medium editorial settings.

The overall tone is neutral and modern with a friendly, accessible presence. Its rounded geometry and open forms give it an approachable feel, while the controlled rhythm and consistent stroke behavior keep it professional and matter-of-fact.

The design appears intended as a versatile, general-purpose sans that balances geometric simplicity with humane, readable proportions. It aims to provide a contemporary look without extreme stylization, making it easy to deploy across headings and text without drawing undue attention to itself.

The numerals appear clear and sturdy, matching the letterforms with similar curve logic and consistent stroke endings. Round letters like O/Q show smooth, even bowls, and the italic-free, upright stance maintains a straightforward texture in running text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸