Sans Superellipse Ugrag 6 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'Salma Alfasans' by Alifinart Studio, 'Archetica' by Almarkha Type, 'Fusion Collection' by Blaze Type, 'Newhouse DT' by DTP Types, 'Jouter Sans' by Groteskly Yours, 'Europa Grotesk No. 2 SB' and 'Europa Grotesk No. 2 SH' by Scangraphic Digital Type Collection, 'Eastlane' by Stawix, and 'Nimbus Sans Round' by URW Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, sportswear, sporty, assertive, modern, energetic, confident, impact, motion, approachability, modernity, rounded, oblique, chunky, compact, smooth.
This typeface is a heavy, oblique sans with smooth, rounded-rectangle construction and minimal stroke modulation. Curves read as superelliptical rather than geometric circles, giving counters a soft, squared-off feel (notably in o, O, and 0). Terminals are clean and mostly blunt, with consistently rounded corners and sturdy joins; the overall rhythm is tight and compact, producing dense word shapes in text. Numerals are robust and highly graphic, with broad curves and flattened internal spaces that match the letterforms’ rounded, blocky logic.
Best suited for short, high-impact settings such as headlines, posters, campaign graphics, and brand marks where weight and slant can communicate urgency and momentum. It also works well on packaging and apparel-style graphics where rounded, blocky forms reproduce clearly at larger sizes.
The tone is bold and kinetic, with an athletic, forward-leaning emphasis that feels modern and promotional. Its chunky, rounded shapes keep it friendly rather than aggressive, while still projecting confidence and impact.
The design appears intended to combine strong headline presence with approachable rounded forms, delivering a contemporary, motion-driven voice that stays clean and legible in bold display use.
Uppercase forms are simplified and strong, favoring broad curves and straight segments with softened corners; lowercase follows the same logic with large, rounded bowls and compact apertures. The oblique slant is consistent across letters and figures, supporting a sense of motion without becoming calligraphic.