Sans Other Admeh 10 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Mikado' by HVD Fonts, 'Almarose' by S&C Type, 'TT Norms Pro' by TypeType, 'Remissis' by Typodermic, and 'Hartwell' by W Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, packaging, kids, logos, playful, chunky, bouncy, friendly, cartoon, playful display, friendly branding, handmade feel, high impact, rounded, irregular, puffy, compact, jaunty.
A heavy, rounded sans with softly inflated strokes and subtly uneven contours that give each letter a hand-cut, buoyant feel. The forms are compact and wide-set, with generous counters in letters like O and P, and simplified, geometric construction throughout. Terminals are blunt and curved rather than sharp, and many glyphs show slight asymmetries and angle shifts that create a lively, non-mechanical rhythm across words. Numerals follow the same chunky, simplified approach, maintaining strong color and clear silhouettes at display sizes.
Best suited to short, bold messaging such as headlines, posters, and attention-grabbing packaging or labels. It also fits children’s materials, playful branding, and logo/wordmark situations where a friendly, handcrafted feel is desired. For longer passages, larger sizes and looser spacing help maintain comfort and clarity.
The overall tone is upbeat and informal, with a distinctly playful, cartoon-like energy. Its wobble and puffiness read as friendly and approachable rather than technical or corporate, making text feel animated and conversational.
This design appears intended to deliver maximum impact with a cheerful, approachable voice, pairing dense black coverage with rounded geometry and controlled irregularity. The goal seems to be a display sans that feels handmade and energetic while keeping letterforms simple and immediately recognizable.
The irregular rhythm is consistent enough to feel intentional, lending personality without collapsing into illegibility. In dense text blocks the strong weight and lively shapes can become visually insistent, so it reads best when given space and used for emphasis.