Font Hero

Free for Commercial Use

Stencil Wahe 1 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Infoma' by Stawix (names referenced only for comparison).

Keywords: posters, headlines, signage, packaging, branding, industrial, utilitarian, technical, mechanical, modern, stencil identity, system labeling, industrial tone, graphic texture, monoline, geometric, rounded, segmented, high-clarity.


Free for commercial use
Customize the font name

A monolinear sans with geometric construction and pronounced stencil breaks placed consistently across stems, bowls, and crossbars. Curves are broadly rounded and counters are open, while terminals and corners read clean and engineered rather than calligraphic. The stencil bridges create a segmented rhythm that stays even in both uppercase and lowercase, and the numerals follow the same systematic cut strategy for a cohesive, modular look.

Works best for display uses where the stencil segmentation can contribute to the graphic voice—posters, headlines, signage systems, packaging, and brand marks with an industrial or technical angle. It can also serve for short text elements such as labels, UI headings, or wayfinding where a manufactured, high-contrast-from-background silhouette is desired.

The overall tone feels industrial and technical, like labeling and equipment markings where robustness and process-driven design are part of the aesthetic. The repeated interruptions give it a mechanical, fabricated character that can read both contemporary and functional.

Likely designed to merge a straightforward geometric sans foundation with a strong stencil motif, prioritizing consistent breaks and clear letterforms. The intent appears to be a dependable, modern stencil that feels engineered and repeatable across letters and numbers for identity and labeling contexts.

The stencil cuts are wide and unmistakable, becoming a primary graphic feature; they remain legible but introduce noticeable texture in running text. Round letters (O, C, G, Q) emphasize the segmented ring effect, and the face maintains a steady, no-nonsense presence across the alphabet and figures.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸