Sans Other Ibhu 3 is a regular weight, wide, low contrast, upright, normal x-height font visually similar to 'Hamlin Nova' by Designova and 'Acherus Feral', 'Acherus Grotesque', and 'Acherus Militant' by Horizon Type (names referenced only for comparison).
Keywords: branding, posters, headlines, packaging, signage, technical, futuristic, industrial, modular, graphic, distinctive identity, tech aesthetic, stencil motif, systematic design, display impact, stencil cuts, rounded corners, monoline, geometric, display.
A geometric sans with monoline strokes and generously rounded terminals, built from simple circular and straight components. Many letters are defined by deliberate vertical splits or “stencil” interruptions that run through bowls and counters, creating a segmented, constructed look. Curves are smooth and fairly circular, while joins and corners stay blunt and soft rather than sharp. The overall rhythm is open and spacious, with a clean, engineered texture and consistent stroke behavior across uppercase, lowercase, and numerals.
Best suited to display roles where its segmented construction can be a feature: branding, headlines, posters, packaging, and signage. It can also work for short UI labels or product marking where a technical feel is desired, but the internal splits make it less ideal for dense, long-form reading.
The segmented cuts and tidy geometry give the face a technical, futuristic tone, like labeling, instrumentation, or sci‑fi interface typography. It feels modern and industrial, with a confident, graphic presence that reads as designed and fabricated rather than handwritten or editorial.
The design appears intended to merge a friendly rounded geometric sans with a distinctive stencil/segmented mechanism, creating instant recognizability and a fabricated, technical voice. The consistent cuts across glyphs suggest a system-driven concept aimed at modern display typography and graphic identity work.
The stencil-like breaks are a dominant motif and remain visible even at text sizes, adding strong character but also a persistent visual buzz in longer paragraphs. Rounded forms (notably in circular letters and figures) contrast with the straight, modular construction, reinforcing a contemporary, product-design aesthetic.