Sans Superellipse Hakim 7 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Military Jr34' by Casloop Studio, 'Charles Wright' by K-Type, 'Evanston Alehouse' by Kimmy Design, 'B52' by Komet & Flicker, and 'Reload' by Reserves (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, techy, industrial, futuristic, utilitarian, sturdy, impact, modernization, systematic, clarity, squared, rounded corners, geometric, compact, high contrast counters.
A heavy, monoline sans built from squared, rounded-rectangle forms and crisp orthogonal turns. Corners are consistently softened, apertures and counters tend toward rectangular/superellipse shapes, and curves resolve into flat terminals rather than tapered strokes. Proportions feel compact with sturdy verticals and wide, stable horizontals; several letters show clipped or chamfer-like joins that add a mechanical rhythm. Numerals follow the same boxy geometry, emphasizing clear silhouettes and strong fill-to-space balance.
Best suited for display roles such as headlines, titles, posters, and brand marks where its squared-rounded construction can read clearly and project strength. It can also work well for packaging, labels, and signage that benefit from an industrial, system-like feel. In longer text, the dense geometry may be most comfortable at larger sizes with generous leading.
The overall tone reads technical and engineered, with a confident, no-nonsense presence. Its rounded-square geometry suggests futuristic interfaces and industrial labeling rather than humanist warmth. The weight and compact forms give it an assertive, high-impact voice suited to bold messaging.
The design appears intended to translate a rounded-rectangular, UI/industrial shape language into a bold sans with consistent stroke weight and strong, modular construction. Its simplified curves and softened corners aim for clarity and impact while preserving a cohesive, engineered aesthetic across letters and figures.
The design maintains a tight, consistent radius and a strong grid logic across caps, lowercase, and numerals. Openings are generally restrained, giving the face a dense texture; this can amplify impact in larger sizes while making spacing and line breaks feel more block-like. Angular diagonals (notably in letters like K, V, W, X, Y) contrast with the rounded-rectilinear bowls to keep the texture lively.