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Free for Commercial Use

Sans Superellipse Hakim 7 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Military Jr34' by Casloop Studio, 'Charles Wright' by K-Type, 'Evanston Alehouse' by Kimmy Design, 'B52' by Komet & Flicker, and 'Reload' by Reserves (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, techy, industrial, futuristic, utilitarian, sturdy, impact, modernization, systematic, clarity, squared, rounded corners, geometric, compact, high contrast counters.


Free for commercial use
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A heavy, monoline sans built from squared, rounded-rectangle forms and crisp orthogonal turns. Corners are consistently softened, apertures and counters tend toward rectangular/superellipse shapes, and curves resolve into flat terminals rather than tapered strokes. Proportions feel compact with sturdy verticals and wide, stable horizontals; several letters show clipped or chamfer-like joins that add a mechanical rhythm. Numerals follow the same boxy geometry, emphasizing clear silhouettes and strong fill-to-space balance.

Best suited for display roles such as headlines, titles, posters, and brand marks where its squared-rounded construction can read clearly and project strength. It can also work well for packaging, labels, and signage that benefit from an industrial, system-like feel. In longer text, the dense geometry may be most comfortable at larger sizes with generous leading.

The overall tone reads technical and engineered, with a confident, no-nonsense presence. Its rounded-square geometry suggests futuristic interfaces and industrial labeling rather than humanist warmth. The weight and compact forms give it an assertive, high-impact voice suited to bold messaging.

The design appears intended to translate a rounded-rectangular, UI/industrial shape language into a bold sans with consistent stroke weight and strong, modular construction. Its simplified curves and softened corners aim for clarity and impact while preserving a cohesive, engineered aesthetic across letters and figures.

The design maintains a tight, consistent radius and a strong grid logic across caps, lowercase, and numerals. Openings are generally restrained, giving the face a dense texture; this can amplify impact in larger sizes while making spacing and line breaks feel more block-like. Angular diagonals (notably in letters like K, V, W, X, Y) contrast with the rounded-rectilinear bowls to keep the texture lively.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
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13px
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11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸