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Stencil Isbi 5 is a bold, wide, low contrast, upright, normal x-height font visually similar to 'Neue Haas Grotesk Display' by Linotype, 'Europa Grotesk No. 2 SB' and 'Europa Grotesk No. 2 SH' by Scangraphic Digital Type Collection, and 'Boring Sans' by Zetafonts (names referenced only for comparison).

Keywords: posters, headlines, packaging, signage, labels, industrial, military, utilitarian, mechanical, assertive, impact, marking, ruggedness, system look, display strength, heavy, blocky, geometric, chiseled, modular.


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A heavy, geometric sans with block-like proportions and a strong stencil construction. The letterforms are built from broad strokes with minimal modulation, and many glyphs feature centered vertical breaks and occasional sliced joins that create crisp bridges. Curves are simplified into sturdy, near-circular bowls, while diagonals and terminals are cut with sharp, straight edges, producing a rugged, machined rhythm. Spacing reads steady and headline-oriented, with compact counters and a consistently weighty silhouette.

Well-suited for posters, titles, and branding that needs a tough, utilitarian voice, as well as packaging and label systems that reference industrial or military cues. It can also work for short signage and wayfinding-style callouts where stencil styling is a key part of the visual identity.

The overall tone is industrial and no-nonsense, evoking stenciled markings, equipment labeling, and practical signage. Its blunt shapes and deliberate interruptions feel authoritative and tactical, leaning toward a functional, engineered aesthetic rather than a friendly or literary one.

The design appears intended to deliver maximum visual punch while clearly signaling a stencil-based, industrial theme. The consistent bridges and simplified geometry suggest a focus on reproducible, mark-making aesthetics—like sprayed or cut lettering—translated into a bold display type style.

The stencil gaps are prominent enough to remain recognizable at display sizes, and the repeated vertical splitting motif is especially noticeable in rounded forms and numerals, reinforcing a coherent, system-like identity. The design favors impact over delicacy, with dense black areas and strong figure/ground contrast within the stencil cuts.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸