Serif Contrasted Onpy 2 is a bold, normal width, high contrast, upright, normal x-height font visually similar to 'Kresson Black' by BA Graphics, 'Chronicle Deck' by Hoefler & Co., 'Ysobel' by Monotype, 'Reserve' by Positype, 'Labernia' by Tipo Pèpel, and 'Evans' by Zetafonts (names referenced only for comparison).
Keywords: headlines, magazine, book covers, posters, branding, editorial, stately, classic, dramatic, formal, editorial impact, classic refinement, premium voice, headline presence, vertical stress, sharp serifs, crisp, sculpted, bracketless.
A sharply cut serif with pronounced thick–thin modulation and a vertical, columnar rhythm. Stems are heavy and confident while hairlines and joins pinch to fine, crisp connections, creating clear tension between mass and delicacy. Serifs are narrow and pointed with minimal bracketing, and the overall silhouette is tall and dignified with compact apertures and tidy counters. The lowercase shows a sturdy, readable build with a fairly traditional skeleton, while the numerals share the same high-contrast, editorial presence.
Well-suited to headlines, deck copy, and pull quotes where its contrast and sharp detailing can shine. It also fits magazine and book-cover typography, as well as premium branding and packaging that benefit from a classic, editorial voice. For longer passages, it will be most comfortable in well-spaced settings where the hairlines remain clear.
The typeface conveys a refined, authoritative tone with a sense of drama typical of high-contrast publishing faces. Its crisp serifs and polished modulation feel formal and classic, lending an upscale, institutional character. Overall it reads as composed and serious rather than casual or friendly.
The design appears intended to deliver a contemporary take on a classic high-contrast serif: bold, attention-grabbing forms paired with precise hairlines and pointed serifs for a polished, print-forward look. It prioritizes strong presence and elegant modulation to create an upscale, editorial texture.
In text, the strong contrast and tight joins create vivid texture and striking word shapes, especially at larger sizes where the hairlines and sharp terminals are most apparent. Round letters like O and Q appear weighty and sculptural, reinforcing the font’s display-capable presence.