Sans Normal Tumib 2 is a very bold, very wide, high contrast, upright, normal x-height font.
Keywords: headlines, posters, logotypes, packaging, sports branding, confident, playful, retro, punchy, friendly, display impact, brand presence, friendly boldness, retro flavor, clarity at weight, rounded, soft corners, compact bowls, ink-trap-like, blocky.
This typeface is a heavy, wide sans with rounded, soft-cornered geometry and strongly simplified shapes. Curves are built from broad ovals and circles, while joins and terminals tend to flatten into straight-cut, squared ends, creating a sturdy, poster-like silhouette. Many letters show small notch-like cut-ins at tight joins (especially where stems meet bowls), giving an ink-trap-like feeling that helps keep counters open at large weights. The lowercase is compact and sturdy, with short, thick arms and a single-storey a and g; apertures are relatively tight and bowls feel dense, producing a dark, even texture in words.
Best suited to large-scale settings such as headlines, posters, branding, packaging, and attention-grabbing signage where its width and mass can be used for impact. It also works well for bold logotypes and labels that benefit from a friendly, rounded voice and strong silhouette. For longer text, it will create a very dense color and is likely most effective in short lines or display blocks.
The overall tone is bold and extroverted, with a friendly roundness that reads as approachable rather than severe. Its wide stance and chunky forms evoke a retro display sensibility—loud, upbeat, and built to grab attention in short bursts. The notched joins add a slightly engineered, cartoon-industrial flavor that keeps the voice playful while still feeling dependable.
The design appears intended as a high-impact display sans that combines wide proportions with rounded, simplified construction for immediate readability and presence. The notch-like join treatment suggests a practical goal of preserving clarity in tight interior spaces while adding distinctive character. Overall, it aims to balance friendly curves with a solid, blocky structure for branding-forward typography.
Counters in letters like a, e, o, and 8 stay legible despite the heavy stroke, and the numerals have simple, robust construction suited to impact. Spacing in the sample text reads intentionally tight and energetic, producing a dense, headline-oriented rhythm. Diacritics and symbols are not shown; the description reflects only the visible A–Z, a–z, and 0–9 plus punctuation appearing in the sample text.