Sans Superellipse Myle 7 is a very bold, normal width, high contrast, upright, normal x-height font visually similar to 'Formetic' by Bülent Yüksel and 'Shtozer' by Pepper Type (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, signage, industrial, retro, techno, assertive, playful, high impact, retro tech, industrial voice, logo display, signage clarity, rounded corners, squared forms, modular, condensed feel, ink-trap cuts.
A heavy, modular sans built from rounded-rectangle strokes and squared counters, producing a superelliptical silhouette throughout. Terminals are blunt with softened corners, and many joints feature small notches/cut-ins that read like ink-traps or stencil-inspired breaks. Curves are largely squared-off rather than circular, with compact apertures and tall, column-like verticals that create a tight, rhythmic texture in text. The lowercase follows the same blocky construction, with single-storey forms and simplified bowls; figures echo the letterforms with stacked, squared shapes and narrow inner counters.
Best suited for headlines, poster typography, branding marks, packaging, and signage where strong silhouette and impact are priorities. It also works well for game/tech themed graphics, badges, and labels that benefit from a rugged, modular voice.
The overall tone is bold and utilitarian with a distinctly retro-tech flavor—part arcade signage, part industrial labeling. The squared geometry and deliberate cut-ins add a mechanical confidence, while the rounded corners keep it friendly enough for playful display. It feels energetic and punchy, designed to command attention at a glance.
The design appears intended to deliver maximum visual impact through compact, rounded-rect geometry and distinctive notch details that suggest industrial production or stencil/ink-trap behavior. Its consistent, engineered construction prioritizes bold presence and recognizable texture over conventional text neutrality.
In running text the dense black mass and compact counters make it most effective at larger sizes, where the internal cut-ins and tight apertures become a defining detail rather than visual noise. The sample shows strong word-shape consistency and a deliberate, engineered rhythm that suits short statements and headlines.