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Sans Superellipse Myda 1 is a very bold, narrow, medium contrast, upright, normal x-height font visually similar to 'Cherrybon' by Drizy Font, 'Assertion' by MiniFonts.com, 'Headlines' by TypeThis!Studio, and 'Carbon' by Typodermic (names referenced only for comparison).

Keywords: posters, headlines, packaging, signage, logos, retro, industrial, poster-ready, confident, sturdy, high impact, space saving, retro display, brand presence, condensed, rounded corners, soft terminals, blocky, compact.


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A compact, condensed sans with heavy, rounded-rectangle construction and consistently softened corners. Strokes are thick and fairly even, producing solid, monolithic letterforms with minimal internal space in counters. Curves tend toward superelliptical bowls and squared-off rounds, while joins stay clean and controlled, keeping the texture uniform across lines. Numerals follow the same sturdy, squared-round logic, with simple, highly legible silhouettes built for impact at display sizes.

This font is well suited to posters, headlines, product packaging, and bold branding where compact width and high visual weight help fit short messages into limited space. It can also work effectively for signage and label-style applications that benefit from simple shapes and strong presence, especially at larger sizes.

The overall tone is bold and utilitarian with a distinctly retro flavor—more marquee and poster than corporate neutral. Its rounded corners temper the weight, giving it a friendly, approachable toughness rather than sharp aggression. The condensed proportions and dense color lend a punchy, attention-grabbing voice.

The design appears intended to deliver maximum impact in a compact footprint, using softened superelliptical geometry to keep heavy forms readable and visually cohesive. Its consistent, rounded-rectangle vocabulary suggests a focus on confident display typography with a vintage-industrial sensibility that remains approachable.

Spacing appears tight and the dark typographic color is strong, so long passages can feel dense; the design reads best when given breathing room through tracking and generous line spacing. The squared-round geometry stays consistent across capitals, lowercase, and figures, helping headlines look cohesive even in mixed-case settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸