Sans Other Synu 5 is a light, very wide, monoline, italic, normal x-height font.
Keywords: headlines, posters, gaming ui, tech branding, sports graphics, futuristic, technical, racing, arcade, cyber, speed cueing, tech styling, sci-fi display, impact titles, interface flavor, angular, octagonal, extended, slanted, geometric.
A sharply angled, extended sans with a consistent, monoline stroke and a pronounced rightward slant. Letterforms are built from straight segments and clipped corners, producing an octagonal, engineered silhouette rather than curves. Counters tend toward rectangular apertures, and terminals are typically cut on diagonals, reinforcing a brisk, forward-leaning rhythm. Capitals read as wide and low with tight joins, while the lowercase maintains a similarly geometric construction with simplified, linear bowls and shoulders; numerals follow the same faceted logic for a cohesive set.
Best suited to short, high-impact settings such as headlines, posters, product marks, esports or gaming UI, and technology-themed packaging. It can also work for labels, dashboards, and motion graphics where a fast, engineered aesthetic is desired; for long-form reading it will be more effective when given generous tracking and size.
The overall tone feels futuristic and technical, with strong associations to motorsport graphics, sci‑fi interfaces, and arcade-era display typography. Its crisp angles and sustained slant communicate speed, precision, and a mildly aggressive edge.
The design appears intended to deliver a streamlined, high-speed look using a faceted, geometric construction and a strong slanted stance. By avoiding curves and emphasizing clipped corners and extended proportions, it aims for a consistent techno-display voice across letters and numerals.
The design relies on distinctive clipped terminals and segmented construction, which gives it high stylistic coherence but also makes small sizes and dense paragraphs feel busy. The italic slant is integral to the structure rather than an added shear, so the forward motion remains consistent across caps, lowercase, and figures.