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Free for Commercial Use

Sans Normal Julag 8 is a bold, normal width, medium contrast, italic, normal x-height font visually similar to 'City Boys' and 'City Boys Soft' by Dharma Type, 'ITC Stone Sans II' by ITC, 'Excentra Pro' by Mint Type, 'Joanna Sans Nova' by Monotype, and 'Reba Samuels' by Samuelstype (names referenced only for comparison).

Keywords: headlines, posters, branding, sports, packaging, dynamic, sporty, confident, modern, friendly, energy, impact, modernity, momentum, display, slanted, geometric, rounded, clean, high-impact.


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This typeface presents a strongly slanted, heavy sans with smooth, rounded bowls and largely closed apertures, giving the alphabet a cohesive, compact silhouette. Strokes are sturdy and consistent, with subtly tapered joins and softened terminals that keep the forms from feeling rigid. Curves dominate the construction (notably in C, G, O, Q, and the numerals), while diagonals in A, K, M, N, V, W, X, Y, and Z create an energetic rhythm. Lowercase forms are robust and slightly compressed, with single-storey a and g and a prominent, curled descender on y; the numerals are similarly weighty and rounded, suited to attention-grabbing settings.

This font is best suited to display typography such as headlines, promotional graphics, posters, and bold brand statements where a forward-leaning, high-energy voice is desired. It can also work well for sports or automotive-themed visuals, product packaging, and short emphatic callouts where dense letterforms and a strong slant help maintain presence.

The overall tone is assertive and fast-moving, combining a sporty momentum with a clean, contemporary finish. Its rounded geometry keeps it approachable, while the strong slant and dense color add urgency and confidence—well suited to messaging that wants to feel active, modern, and direct.

The design appears intended to deliver a modern, high-impact italic sans that feels fast and confident while remaining friendly through rounded, geometric shaping. Its consistent slant and sturdy construction suggest a focus on attention, momentum, and clear recognition in short, prominent text.

In the sample text, the italic angle reads consistently across capitals, lowercase, and figures, producing a unified forward lean. Counters tend to stay relatively tight in letters like e, a, and s, which increases visual density and impact, especially at larger display sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸