Sans Normal Relab 10 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Fuller Sans DT' by DTP Types; 'Linotype Gothic' by Linotype; 'Plymouth Serial' by SoftMaker; 'TS Franklin Gothic' and 'TS Plymouth' by TypeShop Collection; and 'Brute Sans', 'Penta', and 'Penta Rounded' by Wiescher Design (names referenced only for comparison).
Keywords: headlines, branding, posters, signage, packaging, modern, friendly, confident, clean, approachable, impact, clarity, approachability, modern branding, display strength, rounded, soft corners, compact, sturdy, even rhythm.
A heavy, rounded sans with softly squared terminals and smooth, low‑contrast strokes. Curves are generous and geometric, with circular bowls in letters like O/Q and compact counters that give the face a dense, sturdy texture. Joins and corners tend to be slightly softened rather than sharp, and horizontals/verticals keep an even weight for a stable, consistent rhythm. The lowercase shows a single‑storey a and g, tall straight stems with rounded ends, and a compact overall set that reads solidly at display and strong text sizes.
This font suits headlines, logos, and packaging where a strong, clean voice is needed with a friendly edge. It should also work well for short UI labels and signage, where the rounded, high‑impact shapes remain clear and consistent at a range of sizes.
The overall tone is modern and approachable, combining a confident weight with friendly rounded details. It feels straightforward and utilitarian, but softened enough to avoid a harsh, industrial look, making it well suited to contemporary branding that wants clarity without severity.
The design appears intended to deliver a contemporary, high‑impact sans with softened geometry for broad, approachable appeal. Its compact counters and uniform stroke behavior prioritize clarity and presence, supporting brand-forward typography and attention-grabbing display settings.
Spacing appears comfortably open for such a heavy style, supporting legibility in longer lines of text. Numerals are large and simple with the same rounded, geometric construction, and the punctuation shown (colon, apostrophe, ampersand, question mark) matches the sturdy, softened aesthetic.