Sans Faceted Tyvu 7 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Neusa Neu' by Inhouse Type, 'Transport New' by K-Type, 'Fridag Sans' by Paavola Type Studio, 'Core Sans E' by S-Core, and 'Crique Grotesk' by Stawix (names referenced only for comparison).
Keywords: headlines, posters, branding, sportswear, tech ui, sporty, technical, modern, energetic, industrial, add motion, signal precision, modernize forms, stand out, faceted, angular, slanted, compact, crisp.
This typeface is a slanted sans with a distinctly faceted construction: curves are simplified into short planar segments and clipped terminals, giving counters and bowls a subtly polygonal feel. Strokes stay largely uniform, with crisp joins and squared-off, chamfer-like edges that create a deliberate, engineered rhythm. The uppercase appears broad-shouldered and stable, while the lowercase is compact with straightforward, utilitarian forms; overall spacing reads even and headline-friendly. Numerals follow the same angular logic, with open shapes and hard transitions that keep them clear at a glance.
It works best for headlines, posters, and branding where a sharp, fast, contemporary voice is needed. The faceted detailing also suits tech or industrial-themed interfaces and packaging, and it can perform well in short-to-medium text blocks when a distinctive, energetic texture is desired.
The overall tone is brisk and assertive, combining a modern, technical attitude with a sporty forward lean. Its sharp facets and clipped details suggest precision and motion, lending an energetic, slightly industrial character without feeling ornamental.
The design appears intended to merge an italic sans skeleton with a machined, faceted surface treatment, translating curved strokes into crisp planes for a modern, performance-oriented look.
The slant is consistent across letters and figures, and the repeated use of clipped corners creates a cohesive texture in both display lines and longer sample text. The faceting is present but controlled, so words maintain recognizable silhouettes rather than turning into overtly geometric signage forms.