Sans Normal Bodas 24 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Bari Sans' by JCFonts and 'RF Dewi' by Russian Fonts (names referenced only for comparison).
Keywords: ui text, branding, signage, editorial, presentations, neutral, modern, clean, friendly, utilitarian, versatility, clarity, neutrality, contemporary feel, geometric, rounded, even, open, clear.
A clean sans serif with a geometric-leaning construction and broadly rounded bowls. Strokes stay even and consistent, with smooth curves and squared, straightforward terminals that keep the rhythm crisp. Counters are open and generous, and letterforms balance circular shapes (C, O, Q) with simple straight-sided structures (E, F, H, N). Numerals follow the same tidy, contemporary logic, with clear differentiation and stable proportions.
This font works well for interface labels, product and web typography, and general-purpose branding where a modern, clean sans look is needed. Its even texture and open counters also suit signage and wayfinding at moderate sizes, and it holds up nicely for presentations and short editorial passages.
The overall tone is neutral and contemporary, prioritizing clarity over personality. Rounded forms add a mild friendliness, while the restrained detailing and even texture keep it professional and adaptable. It feels practical and dependable—more about straightforward communication than stylistic flair.
The design appears intended as a versatile, contemporary sans that delivers consistent spacing, clear forms, and a smooth reading rhythm across both display and text sizes. Its geometric curves and restrained terminals suggest an aim for broad usability with a subtly approachable voice.
The capitals read solid and steady for headings, while the lowercase maintains a smooth, continuous texture in paragraph-like settings. The mix of round and straight glyphs creates a balanced, unobtrusive color on the line, and the figures appear designed to sit comfortably alongside text in UI and editorial contexts.