Sans Superellipse Wuku 3 is a very bold, very wide, high contrast, upright, normal x-height font.
Keywords: logotypes, headlines, posters, game ui, packaging, futuristic, tech, arcade, industrial, sci‑fi, impact, tech branding, display clarity, retro futurism, systematic geometry, squared, rounded corners, geometric, blocky, modular.
A heavy, geometric sans built from rounded-rectangle (superelliptical) forms and broad, even strokes. Corners are softened rather than sharp, giving the letters a machined, capsule-like silhouette. Curves are minimized and bowls tend toward squared ovals, with compact counters and short apertures that emphasize a dense, solid texture. The lowercase follows the same modular logic as the uppercase, with simplified terminals and sturdy joins; numerals are similarly squarish with rectangular inner counters. Overall spacing and rhythm favor strong, stable word shapes and a bold, poster-like color on the page.
Best suited to display roles where strong geometry and mass are advantages: brand marks, titling, posters, product labels, and tech-forward packaging. It can also work for game UI, sports/arena graphics, and short callouts where a compact, industrial look is desired. For long-form text, its dense counters and tight apertures are more effective at larger sizes with generous leading.
The design reads as contemporary and technology-coded, with a distinctly game/console and interface-signage flavor. Its rounded-square geometry suggests engineered hardware, dashboards, and sci‑fi branding rather than humanist warmth. The tone is assertive and high-impact, with a playful arcade energy when set in larger sizes.
The font appears intended to deliver a bold, modular superellipse aesthetic that stays consistent across letters and numerals, prioritizing punchy silhouettes and a cohesive, engineered feel. Its simplified constructions and rounded-square contours aim to evoke modern technology and retro-futurist display typography.
Several letters use straight-sided bowls and cut-in counters (notably in forms like O, D, P, and 8), reinforcing the superelliptical theme. The ‘S’ and ‘Z’ feel particularly segmented and bar-like, and the overall alphabet favors simplified constructions that keep silhouettes consistent across cases and figures.