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Shadow Yadu 5 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Conamore' by Grida, 'EquipCondensed' by Hoftype, 'Avenir Next Paneuropean' by Linotype, 'POLIGRA' by Machalski, 'Almarose' by S&C Type, 'Hoxton Samuels' by Samuelstype, 'Kaapeli' by Suomi, and 'Budmo' by Typodermic (names referenced only for comparison).

Keywords: posters, headlines, packaging, logos, stickers, playful, retro, comic, chunky, cheeky, novelty display, texture, poster impact, retro flavor, cut-out, notched, rounded, blocky, high-impact.


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A heavy, rounded display face with compact, blocky forms and softened corners. The letterforms are built from thick strokes with frequent internal cut-outs and small wedge-like notches that create an irregular, hollowed texture across the alphabet. Counters tend to be large and simple, while terminals and joins often show abrupt, carved-looking breaks that give the outlines a slightly distressed, cut-paper feel. Spacing and rhythm read sturdy and dense, favoring large sizes where the interior voids and notch details remain clear.

Best suited to short, high-impact settings such as posters, headlines, event graphics, packaging, and logo wordmarks where the cut-out detailing can be appreciated. It also works well for playful merchandise and bold social graphics; for longer passages, generous size and spacing help maintain legibility.

The overall tone is bold and mischievous, with a retro novelty flavor that feels part comic headline, part playful poster lettering. The carved voids and broken edges add energy and attitude, suggesting something crafted, stamped, or intentionally roughed-up rather than polished corporate typography.

The design appears intended to deliver maximum display impact while differentiating itself through hollowed cuts and notch details that read like a shadowed or carved treatment. It aims for an energetic, novelty-forward texture that stays cohesive across letters and numerals.

In continuous text the interior cut-outs create a strong texture and visual noise, which increases personality but can reduce clarity at smaller sizes or in tight tracking. Numerals are equally weighty and graphic, matching the headline-first intent of the design.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸