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Free for Commercial Use

Inline Pasi 3 is a bold, wide, high contrast, upright, normal x-height font.

Keywords: posters, headlines, logos, packaging, book covers, playful, spooky, retro, ornate, theatrical, attention grabbing, decorative texture, vintage poster, thematic display, decorative, chunky, stencil-like, high-ink, cutout.


Free for commercial use
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A heavy, display-oriented serif with broad proportions and a strongly graphic, filled-in silhouette. Many uppercase forms feature irregular, organic cut-outs and interior carving that break up the black mass, creating an inline/cutout effect rather than a continuous stroke. Lowercase and numerals read more traditionally serifed and sturdy, with rounded bowls, short-to-moderate serifs, and a generally even, upright rhythm. Overall color on the page is dense, with selective interior voids providing contrast and texture, especially in caps and a handful of figures.

Best suited to large-size display work such as posters, splashy headlines, branding marks, and packaging where the internal carving can be appreciated. It can also work for short pull quotes or titles, especially when a bold, vintage-theatrical tone is desired, but the dense color and interior detailing make it less ideal for long passages at small sizes.

The font projects a playful, slightly eerie show-poster energy—part carnival, part vintage headline—with a hand-carved feel from the interior shapes. Its textured cut-outs add drama and movement, giving words a lively, attention-grabbing presence that feels theatrical and a bit mischievous.

The design appears intended to merge a robust, readable serif foundation with a carved, decorative interior treatment that adds personality and visual texture. By concentrating the cut-out/inline effect in prominent glyphs, it aims to deliver strong impact for titling while retaining familiar letterforms for quick recognition.

The decorative treatment is most prominent in uppercase, where the internal carving varies by glyph, producing a more characterful but less uniform texture than the lowercase. In continuous text the weight and width create strong presence, while the cut-outs can visually sparkle at larger sizes and may fill in when reduced.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸