Print Fyko 2 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Belly Laugh' by Comicraft (names referenced only for comparison).
Keywords: posters, headlines, packaging, stickers, kids media, playful, rough, handmade, cartoony, spooky, handmade feel, bold impact, playful texture, poster appeal, character branding, chunky, blobby, irregular, textured, wobbly.
A chunky, inked display face with heavy silhouettes and visibly irregular, hand-cut edges. Strokes stay broadly consistent in thickness, with softly squared corners, uneven curves, and slightly wobbly contours that create a textured, stamp-like silhouette. Counters are compact and sometimes pinched, and spacing feels lively rather than mechanically even, giving the line a bouncy rhythm. The lowercase follows the same rugged construction, and the numerals match the bold, cutout look for cohesive set-wide color.
Best suited for short, bold copy such as posters, titles, product packaging, stickers, and playful branding where a handmade texture is a feature. It can also work for event flyers or seasonal promos (especially when a slightly eerie or mischievous tone is desired), but will read clearest with generous size and breathing room.
The overall tone is playful and scrappy, like letters painted quickly with a thick marker or cut from paper. Its rough edges and compressed counters add a mischievous, slightly spooky flavor that reads well for humor, kid-oriented energy, or casual hand-rendered signage.
The font appears designed to capture a hand-drawn, cutout/inked look with strong visual weight and an intentionally imperfect outline. The goal seems to be high-impact display typography that feels informal and characterful, prioritizing personality and texture over smooth precision.
The heavy black mass produces strong impact at display sizes, while the textured outlines can visually merge in longer passages or at small sizes. The design’s charm comes from its intentional inconsistency—small variations in edge wobble and internal shapes keep the texture feeling human rather than geometric.