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Free for Commercial Use

Sans Superellipse Maroz 3 is a very bold, normal width, low contrast, italic, tall x-height font visually similar to 'Muller Next' by Fontfabric, 'Petermann' by Ingo, 'Allotrope' by Kostic, 'Amfibia' by ROHH, 'Scansky' by Satori TF, 'Sans Beam' by Stawix, and 'Morl' by Typesketchbook (names referenced only for comparison).

Keywords: headlines, posters, packaging, logos, social media, playful, chunky, friendly, retro, impact, friendliness, display, retro feel, rounded, soft, bouncy, cartoonish, compact.


Free for commercial use
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A heavy, rounded sans with softened corners and superellipse-like geometry throughout. Strokes are thick and uniform with minimal contrast, and the forms lean consistently in an italic slant. Counters tend to be small and teardrop-like, while terminals are blunt and rounded, giving letters a molded, almost inflated silhouette. The lowercase shows a tall x-height and simplified construction, with single-storey a and g and generally compact internal spaces that increase color density in text.

Best suited to short, high-impact settings such as headlines, posters, packaging, and logo wordmarks where its heavy rounded forms can read as intentional character. It also works well for playful UI accents, social graphics, and children’s or entertainment-oriented branding where a friendly, energetic tone is desired.

The overall tone is warm and comedic, with a buoyant, cartoon-friendly energy. Its chunky, slanted shapes feel informal and lively, leaning toward retro display styling and upbeat branding rather than sober editorial typography.

The design appears aimed at delivering maximum visual presence with soft, rounded shapes and a dynamic slant, prioritizing personality and approachability over fine detail. Its simplified, high-mass letterforms suggest an intention for display-led typography that remains cohesive and readable at medium-to-large sizes.

The strong slant and tight counters create a dark, continuous texture in longer lines, so spacing and size will meaningfully affect clarity. Numerals match the same rounded, weighty construction, reinforcing a cohesive, poster-like voice.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸