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Free for Commercial Use

Sans Normal Osmet 7 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Myriad', 'Myriad Arabic', 'Myriad Bengali', 'Myriad Devanagari', and 'Pelago' by Adobe (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, friendly, confident, modern, approachable, playful, approachability, impact, clarity, modernity, rounded, soft corners, open apertures, large counters, sturdy.


Free for commercial use
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This typeface is a heavy, rounded sans with softened corners and generously filled strokes that create a compact, sturdy color on the page. Curves are built from broad circular and elliptical forms, with large counters in letters like O, D, and P and mostly open apertures that keep shapes readable despite the weight. Terminals tend to end with subtle rounding rather than sharp cuts, giving letters a slightly cushioned feel, while diagonals in forms like A, V, W, and Y stay clean and stable. The lowercase shows simple, utilitarian construction (single-storey a and g) with a straightforward rhythm and even spacing that reads solid in text blocks and headlines.

Best suited to display-forward settings such as headlines, posters, brand marks, packaging, and short blocks of editorial or interface text where a friendly, high-impact voice is needed. It also works well for signage and callouts, where its rounded forms and large counters support quick recognition.

The overall tone is warm and approachable, with a confident, contemporary presence. Its rounded geometry and sturdy proportions lean friendly and slightly playful rather than formal, while still feeling dependable and clear.

The design appears intended to deliver a modern, approachable sans voice with strong visual impact, prioritizing clarity and friendliness through rounded geometry, open internal spaces, and a consistent, sturdy rhythm.

Numerals are wide and highly legible, with clear distinctions between similar shapes and a consistent, rounded logic across curves and joints. The punctuation and basic shapes shown in the sample text hold their weight well at large sizes, maintaining a smooth, even texture without fussy details.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸