Hollow Other Etse 3 is a very bold, normal width, high contrast, upright, tall x-height font visually similar to 'Chamelton' by Alex Khoroshok, 'Chubbét' by Emboss, 'Neue Helvetica' and 'Neue Helvetica Paneuropean' by Linotype, 'Helvetica Now' by Monotype, 'Europa Grotesk No. 2 SB' and 'Europa Grotesk No. 2 SH' by Scangraphic Digital Type Collection, and 'Nimbus Sans Novus' by URW Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, packaging, kids media, stickers, playful, handmade, quirky, chunky, retro, textured display, novelty tone, handcrafted feel, retro signage, rounded, blobby, inked, speckled, soft-edged.
A heavy, rounded display face with soft, blobby contours and a slightly uneven, hand-shaped rhythm. Strokes are thick and compact, with generous curves and minimal sharp corners, producing a friendly silhouette and sturdy color on the page. Throughout the alphabet and figures, small irregular interior knockouts and pitted highlights create a hollowed, distressed texture that reads like cut-paper or worn ink. Proportions skew toward a tall lowercase with short-to-moderate extenders, and the overall spacing feels open enough to keep the dense forms from clogging at display sizes.
Best suited to short, high-impact settings such as headlines, posters, packaging callouts, and playful branding where texture is a feature. It can also work well for children’s media, event graphics, and sticker-style designs, especially when set at larger sizes where the interior cutouts remain clear.
The font conveys a playful, homemade energy with a touch of vintage novelty. Its rounded massing feels approachable and cartoonish, while the irregular internal cutouts add a tactile, crafted personality—more “fun poster” than formal branding.
The design appears intended as a bold, friendly display font that combines rounded, cartoon-like forms with irregular hollowed details to add character and visual texture. The goal seems to be immediate legibility at large sizes while delivering a crafted, slightly weathered feel.
The interior knockouts vary from glyph to glyph, giving the face an intentionally imperfect, hand-inked look. The numerals match the same soft, inflated structure and maintain the distressed detailing, helping mixed text feel cohesive.