Sans Normal Diduz 11 is a light, normal width, low contrast, upright, normal x-height font visually similar to 'Berthold Corporate S' by Berthold and 'Corporate S' and 'Corporate S WGL' by URW Type Foundry (names referenced only for comparison).
Keywords: ui text, editorial, signage, presentations, branding, clean, modern, neutral, technical, friendly, clarity, versatility, modern utility, systematic design, readability, monoline, geometric, open counters, rounded terminals, even rhythm.
This typeface has a monoline, geometric construction with smooth circular bowls and gently rounded joins. Curves are clean and consistent, and straight strokes feel crisp without abrupt flare or calligraphic modulation. Proportions are balanced with an even rhythm in text, open apertures on letters like C, S, and e, and clear differentiation between similar shapes. Numerals follow the same simple, contemporary logic, with straightforward forms and stable vertical alignment.
It suits interface copy, dashboards, and product typography where clarity and a clean voice are priorities. The even texture and open forms also make it a good fit for editorial layouts, wayfinding or signage at moderate sizes, and contemporary branding systems that need a neutral sans foundation.
Overall, the font communicates a calm, neutral tone with a subtly friendly edge due to its rounded geometry and open counters. It reads as contemporary and practical rather than expressive, supporting an orderly, technical feel without becoming cold or rigid.
The design appears intended as a general-purpose geometric sans that prioritizes clarity, consistency, and a tidy typographic color across lines of text. Its restrained detailing suggests a focus on versatile, everyday readability in modern digital and print contexts.
The spacing in the sample text appears steady and unforced, helping paragraphs look uniform at larger sizes. Uppercase forms are straightforward and architectural, while lowercase maintains clarity through generous openings and uncomplicated stroke endings.