Slab Square Ugmav 3 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Faraon' by Latinotype (names referenced only for comparison).
Keywords: book typography, editorial text, magazines, pull quotes, literary branding, editorial, bookish, vintage, scholarly, confident, text emphasis, editorial voice, print texture, heritage tone, slab serif, bracketed, ink-trap, calligraphic, lively.
A right-leaning italic slab serif with sturdy, mostly low-contrast strokes and pronounced serifs that read as squared-off yet slightly softened by subtle bracketing. The forms show a crisp print-like finish with small notches and wedge-like joins that suggest ink-trap behavior at tight intersections. Counters are fairly open, with a steady rhythm and clear differentiation across capitals, lowercase, and figures; numerals share the same robust, text-forward construction and proportional feel. Overall spacing appears comfortable and even, supporting continuous reading while keeping a distinctly structured, slab-driven silhouette.
This font is well suited for editorial and long-form text where an italic slab serif can provide emphasis with presence—such as book interiors, magazine features, and essays. It also works well for pull quotes, subheads, and heritage-leaning branding where a traditional yet energetic italic voice is desired.
The tone is classic and editorial, with a slightly old-style, bookish warmth rather than a sleek modern feel. Its italic slant and sturdy slabs give it a confident, authoritative voice that feels suited to literature, academia, and traditional publishing contexts.
The design appears intended to combine the authority and structure of slab serifs with an italic, print-informed texture that remains readable at text sizes. The added crisp details at joins and terminals suggest an effort to keep shapes clean and consistent in dense settings while preserving a lively, editorial character.
The italic is not purely mechanical; several letters show a humanist, drawn quality in their curves and terminals, which adds liveliness without becoming decorative. The cap set feels formal and stable, while the lowercase maintains a readable, text-oriented color.