Sans Superellipse Pikah 13 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'ATF Alternate Gothic' by ATF Collection, 'Highman' by Eko Bimantara, 'Motel Xenia' by Fenotype, 'Miguel De Northern' by Graphicxell, 'Neue Helvetica' by Linotype, and 'Heading Now' by Zetafonts (names referenced only for comparison).
Keywords: headlines, posters, packaging, signage, sports branding, industrial, condensed, punchy, modern, no-nonsense, space saving, high impact, bold legibility, modern utility, blocky, compact, squared, rounded corners, monoline.
A compact, condensed sans with heavy, even strokes and squared, superellipse-like bowls softened by subtly rounded corners. The proportions are tall and tightly set, with short extenders and a high x-height that keeps lowercase forms dense and prominent. Curves are built from rounded-rectangle geometry rather than circular construction, giving letters like O/C/G a squarish interior and a firmly structured rhythm. Terminals are blunt and clean, counters are relatively tight, and the overall texture reads dark and uniform, with straightforward, utilitarian letterforms and minimal modulation.
Best suited to short, high-impact settings such as headlines, posters, labels, and bold signage where compact width and strong presence are advantageous. It can also work for branding and UI accents when a dense, emphatic sans is desired, but its weight and tight counters suggest avoiding long body copy at small sizes.
The tone is assertive and functional, with an industrial clarity that feels contemporary and straightforward. Its dense, blocky presence suggests urgency and impact rather than delicacy, making it feel pragmatic and workmanlike.
The design appears aimed at delivering maximum impact in minimal horizontal space, combining a condensed stance with sturdy, rounded-rectangle construction for a controlled, modern feel. It prioritizes bold legibility and a consistent, industrial rhythm over expressive calligraphic detail.
The sample text shows strong word-shape consistency and a tightly packed typographic color, especially in all-caps. Rounded corners prevent the heavy forms from feeling overly harsh, while the condensed width concentrates emphasis and improves space efficiency in headlines.