Sans Faceted Asna 2 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'Metro Block' by Ghozai Studio, 'Tusker Grotesk' by Lewis McGuffie Type, 'Chucka' by Maulana Creative, 'Cimo' by Monotype, 'Beni' by Nois, 'Hydrolic' by Sensatype Studio, and 'Bokis' by Sign Studio (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, signage, industrial, poster, aggressive, sporty, utilitarian, maximum impact, compact economy, machined look, graphic emphasis, blocky, angular, chamfered, condensed, monolithic.
A dense, heavy sans built from straight strokes and sharp chamfered corners, replacing curves with planar facets. The forms are compact and vertically emphasized, with tight interior counters and squared-off terminals that keep the silhouette rigid and mechanical. Joins and diagonals feel cut and segmented rather than drawn, producing a crisp, stencil-like geometry without actual breaks. The numerals and capitals read as uniform, stacked blocks, while the lowercase retains the same hard-edged construction and high, sturdy stems.
Best suited to short, high-contrast applications such as headlines, posters, labels, and bold brand marks where the faceted silhouettes can carry. It also fits directional or industrial-style signage and sports or streetwear graphics, especially when set with generous tracking or ample line spacing.
The overall tone is forceful and no-nonsense, with a compressed, high-impact presence that feels industrial and athletic. Its faceted construction evokes machined parts, signage, and rugged branding rather than softness or elegance.
The design appears intended to deliver maximum impact in a compact footprint, using faceted, chamfered geometry to maintain legibility while projecting a rugged, engineered personality.
At text sizes the dense black massing and narrow apertures can make long passages feel dark, but in headings the sharp corners and consistent chamfers create a distinctive, cohesive texture. The rhythm is strongly vertical, and the faceting gives repeated characters a recognizable, cut-metal cadence.