Sans Superellipse Utkur 10 is a bold, wide, low contrast, upright, normal x-height font.
Keywords: headlines, branding, ui labels, signage, posters, techy, futuristic, clean, confident, industrial, modernization, system design, tech branding, clarity, rounded corners, square curves, geometric, monoline, compact counters.
A geometric sans with monoline strokes and a pronounced superellipse construction: round letters are drawn from rounded-rectangle bowls rather than true circles. Corners are consistently softened, terminals are mostly squared-off, and curves transition with smooth, controlled radii. Proportions lean broad, with roomy horizontal spans and compact interior counters in letters like B, P, R, and e. Lowercase forms are straightforward and functional, with single-storey a and g, a short-shouldered r, and a fairly flat-topped t; numerals share the same rounded-rect geometry, notably in 0, 6, 8, and 9.
Best suited to display and short-to-medium text where a modern geometric voice is desired—headlines, product branding, interface labels, dashboards, packaging, and wayfinding. Its broad stance and rounded-square geometry make it particularly effective for tech, automotive, and industrial design systems where clarity and a constructed feel are priorities.
The overall tone feels contemporary and engineered—cool, efficient, and slightly sci‑fi due to the rounded-square curves and uniform stroke logic. It projects a sturdy, no-nonsense confidence that reads well in modern tech and industrial contexts without becoming playful.
The font appears designed to deliver a modern, constructed sans built from consistent superellipse modules, prioritizing a sleek, contemporary silhouette and clear shapes. The intent reads as creating a distinctive tech-forward identity while staying pragmatic and legible in common UI and branding settings.
The design maintains strong stylistic coherence across caps, lowercase, and figures, with repeated rounded-rectangle motifs and minimal calligraphic influence. Diagonals (A, V, W, X, Y) are crisp and sharply cut, contrasting with the softened corners elsewhere, which adds a subtly technical rhythm. The Q’s tail and the squared apertures in C/G contribute to a distinct, system-like personality.