Sans Normal Oplab 10 is a bold, wide, medium contrast, upright, tall x-height font visually similar to 'BR Nebula' by Brink, 'Arkit' by CAST, 'Equip' by Hoftype, and 'Randu Sans' by Yukita Creative (names referenced only for comparison).
Keywords: headlines, branding, posters, signage, packaging, confident, modern, friendly, clean, loud, impact, clarity, modernity, approachability, brand presence, geometric, rounded, compact, sturdy, high-impact.
A heavy, geometric sans with broad proportions and a large x-height. Stroke endings are clean and mostly squared, while curves stay smooth and circular, creating a crisp but approachable texture. Counters are relatively open for the weight, and joins are firmly built, giving letters a sturdy, poster-ready presence. The lowercase shows single-storey forms (notably the “a”) and simple, straight-leaning diagonals in letters like k, v, w, and y, contributing to a direct, contemporary rhythm. Numerals are similarly robust and rounded, with clear, uncomplicated silhouettes.
Well-suited for headlines, brand marks, packaging, posters, and signage where bold, geometric forms need to read quickly and feel contemporary. It can also work for short UI labels or callouts when a strong, high-visibility voice is desired, though the heavy weight is most effective at display sizes.
The overall tone is assertive and energetic, with a friendly geometric polish rather than a technical or austere feel. Its large shapes and strong color convey confidence and immediacy, leaning toward contemporary branding and headline communication.
The design appears intended to deliver a modern, geometric sans voice with maximum impact and clarity. By pairing clean terminals with rounded construction and a large x-height, it aims to stay approachable while remaining strong and attention-grabbing in prominent typographic roles.
Spacing and proportions emphasize width and stability, helping short words feel substantial and highly legible at display sizes. The round letters (O, Q, o, e) maintain consistent curvature, while flat-sided forms (E, F, T, L) keep the design grounded and graphic.