Sans Superellipse Holev 11 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Dic Sans' by CAST, 'FF Meta Headline' and 'FF Sanuk Big' by FontFont, 'NewLibris' by Hubert Jocham Type, 'Dalle' by Stawix, and 'Ardoise Std' by Typofonderie (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, bold, friendly, modern, assertive, sporty, impact, approachability, brand clarity, modernity, chunky, rounded, soft corners, high impact, compact counters.
A heavy, geometric sans with broadly rounded, superellipse-like curves and softly squared terminals. Strokes are consistently thick, with compact internal counters and simplified joins that keep forms solid at display sizes. Round letters (O, C, G, Q) read as rounded rectangles rather than perfect circles, while straight-sided letters (E, F, H, N) feel blocky and stable. The lowercase shows a tall x-height and short ascenders/descenders, producing dense, even color; the numerals are similarly sturdy with wide, flattened curves and minimal modulation.
Best suited to headlines, short statements, and identity work where strong presence and quick recognition matter. Its compact counters and rounded geometry also work well for packaging, signage, and UI moments like banners or section headers where a friendly but forceful voice is needed.
The overall tone is confident and approachable: strong enough to feel emphatic, yet softened by generous rounding that keeps it from feeling harsh. It suggests contemporary branding and energetic, upbeat messaging rather than editorial refinement.
The design appears intended to deliver maximum impact with a clean, contemporary feel, using rounded-rectangle geometry to balance strength and warmth. It prioritizes bold legibility and visual consistency across letters and numerals for brand-forward display typography.
Spacing and rhythm appear deliberately tight and uniform, emphasizing a compact, punchy silhouette in text. The ampersand is bold and simple, matching the geometric language, and punctuation remains understated so the letterforms carry the visual weight.