Sans Superellipse Ibkog 7 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'FF Meta Headline' by FontFont; 'Glober' by Fontfabric; 'ITC Chino' by ITC; 'Diaria Sans Pro' by Mint Type; 'PF Square Sans Condensed Pro' by Parachute; and 'Fuse', 'Fuse V.2', and 'Fuse V.2 Printed' by W Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, packaging, logos, kids media, playful, friendly, chunky, retro, comic, impact, approachability, nostalgia, informality, display clarity, rounded, soft-cornered, bouncy, compact, stout.
A heavy, rounded sans with superelliptical construction: straight strokes terminate in softly squared ends, while bowls and counters are wide and rounded-rectangular. The overall rhythm is compact and dense, with tight apertures and sturdy joins that keep letterforms highly unified at large sizes. Curves are slightly irregular in a deliberately organic way, and several glyphs show subtly angled or notched terminals, adding movement without breaking the solid silhouette. Numerals match the letters in weight and footprint, with broad, stable shapes and minimal interior space.
Best suited to short, prominent text where its mass and soft corners can carry personality—headlines, poster titles, product packaging, signage, and logo wordmarks. It can also work for playful brand systems or kids-oriented materials, but will be less comfortable for long passages due to its dense color and tight internal spaces.
The tone is upbeat and approachable, with a chunky softness that feels casual rather than corporate. Its rounded-rectangle geometry and lively stroke behavior give it a retro, display-forward personality that reads as fun and slightly comic.
Likely designed to deliver maximum impact with a friendly, rounded silhouette—combining stout, superelliptical forms with subtle irregularities to avoid a sterile geometric feel. The intent appears to be a bold display sans that stays approachable and legible at large sizes while emphasizing character over neutrality.
Uppercase forms are blocky and assertive, while lowercase keeps the same weight with simplified, sturdy constructions; the single-storey forms (e.g., a, g) reinforce the informal feel. Counters are generally small for the weight, so spacing and size will strongly affect clarity in dense settings.