Font Hero

Free for Commercial Use

Wacky Ufhi 11 is a bold, wide, high contrast, upright, normal x-height font visually similar to 'Brignell Sunday' by IB TYPE Inc., 'Aalto Sans' by Los Andes, and 'Belle Sans' by Park Street Studio (names referenced only for comparison).

Keywords: posters, headlines, album covers, packaging, stickers, handmade, playful, gritty, rowdy, comic, add texture, signal diy, stand out, create humor, rough-edged, chiseled, angular, chunky, uneven.


Free for commercial use
Customize the font name

A chunky, all-caps–friendly display face with irregular, hand-cut contours and visible edge noise that reads like distressed vinyl or a carved stencil. Strokes are thick and blocky with intermittent tapering and small nicks, creating a jittery outline rather than a clean geometric skeleton. Counters tend toward rounded/oval forms while many outer corners are clipped or faceted, producing a lively mix of curves and hard angles. Spacing and widths feel intentionally uneven, reinforcing an improvised, cut-and-paste rhythm in text.

Best suited to short, high-impact settings where texture and personality are desirable—posters, event flyers, album/track artwork, playful packaging, and bold social graphics. It performs particularly well at display sizes where the distressed edges and faceted corners can be appreciated without compromising clarity.

The overall tone is mischievous and scrappy, with a DIY roughness that feels energetic rather than refined. It suggests humor, spontaneity, and a slightly rebellious handmade character, making it more expressive than neutral.

Likely designed to inject an immediate handmade attitude into display typography, combining sturdy block shapes with intentionally imperfect outlines. The goal appears to be a memorable, humorous voice that feels cut, carved, or stamped rather than digitally pristine.

Uppercase forms stay fairly monoline and block-structured, while lowercase introduces more idiosyncrasies (notably in letters like g, j, and t) that increase the quirky, one-off feel. Numerals and round letters show the most distressing along curves, which adds texture at larger sizes but can look busy when reduced.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸