Sans Superellipse Fogen 11 is a bold, normal width, low contrast, italic, tall x-height font visually similar to 'EB Corp' by Eko Bimantara, 'Foda Sans' by Fo Da, 'Neusa Neu' by Inhouse Type, 'Transport New' by K-Type, 'Danos' by Katatrad, 'Nusara' by Locomotype, 'Duty' by T-26, and 'Eastman Grotesque' by Zetafonts (names referenced only for comparison).
Keywords: headlines, posters, branding, sportswear, packaging, sporty, dynamic, modern, confident, techy, impact, motion, modernization, approachability, slanted, rounded, compact, geometric, clean.
A slanted, heavy sans with smooth superelliptical curves and squared-off rounding that gives counters a rounded-rectangle feel. Strokes stay largely uniform, with crisp terminals and a generally closed, compact structure in many letters. The italic angle is pronounced and consistent, creating forward motion while keeping proportions steady; apertures are moderately open and bowls are full, producing a dense, high-impact texture. Numerals match the letterforms in weight and curvature, with simple, sturdy construction and clear silhouettes.
Best suited to display settings where strong presence and quick recognition matter, such as headlines, posters, brand marks, and campaign graphics. It also fits sports, fitness, and tech-adjacent branding where a sense of motion and robustness is desirable. At larger sizes it maintains a clean, contemporary voice while delivering bold emphasis.
The overall tone is energetic and assertive, leaning toward contemporary performance aesthetics. Its rounded geometry softens the weight, keeping it friendly and approachable while still reading as strong and purposeful. The steady slant adds speed and momentum, suggesting action, efficiency, and modernity.
Likely designed to provide a modern, high-impact italic sans that combines sturdy weight with softened, rounded-rectangle forms. The intent appears to be a confident display workhorse: energetic enough for attention-grabbing messaging while remaining clean and systematic for cohesive branding.
The set shows a consistent geometric logic across uppercase, lowercase, and figures, with rounded corners and smooth joins that maintain a cohesive rhythm. The italic construction feels engineered rather than calligraphic, emphasizing uniformity and clean curves over stroke modulation.