Sans Superellipse Fonuy 5 is a very bold, normal width, monoline, italic, normal x-height font visually similar to 'Racon' by Ahmet Altun, 'Bronkoh' by Brink, 'Midsole' by Grype, 'Revx Neue' and 'Revx Neue Rounded' by OneSevenPointFive, and 'Great Escape' and 'Kimberley' by Typodermic (names referenced only for comparison).
Keywords: headlines, branding, sportswear, posters, packaging, sporty, tech, dynamic, assertive, modern, impact, speed, modernity, display, rounded, compact, extended terminals, angled cuts, square counters.
A heavy, forward-leaning sans with compact proportions and a consistent stroke weight. Letterforms are built from rounded-rectangle geometry with softened corners and squared-off counters, creating a sturdy, engineered feel. Many terminals end in angled cuts that emphasize motion, while curves are kept taut and controlled rather than fully circular. Spacing appears relatively tight and the overall silhouette reads dense and punchy, with simplified interior shapes that hold up well at larger sizes.
Best used for headlines, logos, and short display text where its dense weight and slanted momentum can read as intentional and impactful. It fits especially well in sports, fitness, automotive, and tech-forward branding, and can carry high-contrast layouts on posters, packaging, and digital hero sections.
The overall tone is energetic and performance-oriented, combining a technical, futuristic edge with friendly rounding. Its slanted stance and crisp cuts suggest speed and confidence, making it feel suited to competitive, action-forward messaging rather than quiet editorial voice.
The design appears intended to deliver maximum impact with a streamlined, aerodynamic voice—pairing rounded-rectangle construction for approachability with sharp terminal cuts for speed and aggression. It prioritizes bold presence and stylistic coherence in display contexts.
Uppercase forms show a consistent superelliptical construction and minimal modulation, with diagonals and joins kept clean and planar. Numerals follow the same squared-round logic, producing uniform color and a cohesive rhythm in mixed alphanumeric settings.