Print Hadis 9 is a regular weight, normal width, medium contrast, upright, short x-height font.
Keywords: posters, packaging, book covers, kids, craft branding, playful, casual, friendly, whimsical, handmade, handmade warmth, casual display, human texture, friendly tone, rounded, bouncy, organic, irregular, textured.
A casual, hand-drawn print with rounded forms and visibly irregular stroke edges that mimic a marker or brush pen. Strokes show moderate modulation and occasional tapering, with lively, uneven curves and subtly shifting letter proportions from glyph to glyph. Terminals are soft and slightly blunted, counters are generally open, and spacing has a loose, natural rhythm that preserves the handmade feel. Uppercase forms are tall and simplified, while lowercase letters keep compact bodies with long ascenders and descenders that add a bouncy vertical cadence.
Works well for headers, posters, invitations, packaging, and brand accents where an informal handmade touch is desirable. It’s especially fitting for kid-oriented materials, craft or café-style branding, and short copy that benefits from personality and warmth. For longer passages, it’s best used at comfortable sizes with generous line spacing to keep the lively shapes readable.
The overall tone is warm and approachable, conveying an informal, sketchbook character that feels spontaneous and human. Its gentle wobble and soft curves give it a lighthearted, conversational voice suited to relaxed messaging rather than formal typography.
Designed to capture the immediacy of hand lettering in a consistent, repeatable font, emphasizing charm and approachability over strict geometric precision. The intent appears to be a versatile casual display text that feels personal and drawn rather than typeset.
The figures and punctuation-like shapes visible in the samples lean rounded and friendly, matching the letterforms and maintaining the same lightly wobbly baseline behavior. The font’s personality comes through most strongly at display and short-text sizes where the textured edges and uneven geometry read as intentional charm rather than noise.